Your wedding, filmed by your guests, edited by us

Not you — that's the point. Give the case to whoever is already running the timeline: the planner, the coordinator, the maid of honour. They take four cameras out of it, put one in each getting-ready room, and carry the other two to the ceremony. You don't touch it again until the reception.

It doesn't, as long as you name the people holding cameras. Unplugged is about a hundred guests holding glowing phones at chest height in the aisle. Two or three named people with a pocket camera is what couples used to ask a cousin to do anyway. Tell the officiant who they are and it reads as intentional.

One on the officiant for the vows and one on whoever is speaking at the reception, moved between speeches. Room audio from twenty feet back during a toast is the single thing people wish they'd fixed. The mics are included with every camera kit, so there's nothing to add at checkout.

Yes. The kit lands five days before the wedding and only needs to be in transit back within five days after it, so a Friday-to-Sunday weekend sits comfortably inside the window. Say so in your notes and we'll cut the weekend as one film rather than three.

Some couples already have a professionally shot ceremony and want this to be everything else — the rooms beforehand, cocktail hour, the reception after the pro leaves. Tell us and we'll build the film around that instead. It usually runs closer to the party than to the day.

You don't pay for the edit. If the kit comes back without enough usable material to cut a film, the editing charge and every add-on are refunded in full. You keep paying only the kit rental — 20% of the package price, less than the rental is worth on its own — because the cameras were held and shipped for a date we couldn't book to anyone else. It's rare, and we show you what came back before we make that call.